A new film details the reason the star postponed her recent tour—and will test cultural attitudes about gender, pain, and pop.
“Pain without a cause is pain we can’t trust,” the author Leslie Jamison wrote in 2014. “We assume it’s been chosen or fabricated.”
Jamison’s essay “Grand Unified Theory of Female Pain” unpacked the suffering-woman archetype, which encompasses literature’s broken hearts (Anna Karenina, Miss Havisham) and society’s sad girls—the depressed, the anorexic, and in the 19th century, the tubercular. Wariness about being defined by suffering, she argued, had led many modern women to adopt a new pose. She wrote, “The post-wounded woman conducts herself as if preempting certain accusations: Don’t cry too loud; don’t play victim.” Jamison questioned whether this was an overcorrection. “The possibility of fetishizing pain is no reason to stop representing it,” she wrote. “Pain that gets performed is still pain.”
Jamison’s work might come to mind when watching Lady Gaga’s new documentary, Gaga: Five Foot Two, or when reading about the singer postponing her European tour. The pop star this month informed the world that she suffers from fibromyalgia, which causes chronic muscle pain. In the documentary, she visits the doctor, she curls up on a couch, she cries in agony. On Instagram, she prays while holding a rosary. The caption is a lengthy apology to her fans for having to postpone upcoming performances due to her condition.
[For more on this story by Spencer Kornhaber, go to https://www.theatlantic.com/en...t-a-metaphor/540369/]
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