The Trojan horse of Native theater (hcn.org)
To read more of Nick Martin's article, please click here. Larissa FastHorse stood stage right and waited for her cue. Behind her, the set of The Thanksgiving Play : three white walls plastered with inspirational posters, some long brown tables and the fluorescent lights that clearly compose the average classroom — smeared and dripping with the faux blood of Native people. Before her, an audience thundering in a standing ovation. FastHorse’s name was announced, along with the title that will...